Stephen Allwright

  • Stephen Allwright
    deckchair 2, 2017, Watercolour and ink on Fabriano, 149 x 118cm
  • Stephen Allwright
    dancing figures and dark pool, 2017, Ink and oil pastel on Fabriano, 120 x 97cm
  • Stephen Allwright
    confrontation and chandelier, 2017, Ink on Fabriano, 30 x 21cm
  • Stephen Allwright
    ascending, 2016, Ink on paper, 24 x 17cm
  • Stephen Allwright
    smoking in striped vest, 2016, Ink on paper, 30 x 21cm
  • Stephen Allwright
    fish fountain and couple, 2016, Ink on Fabriano, 35 x 26cm
  • Stephen Allwright
    waiting, 2016, Ink and pencil on paper, 23 x 17cm
  • Stephen Allwright
    headdress and faint mouth, 2016, Watercolour, ink and pencil on paper, 41 x 30cm
  • Stephen Allwright
    bird man on telephone pole, 2016, Ink on paper, 24 x 17cm
  • Stephen Allwright
    megaphone 2, 2016, Ink on paper, 23 x 17cm
  • Stephen Allwright
    tank woman and headdress, 2016, Ink on Fabriano, 25 x 18cm
  • Stephen Allwright
    red striped vest, 2016, Ink on paper, 30 x 21cm
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright
Stephen Allwright

Stephen John Allwright was born in Prince Albert in the Great Karoo in 1969. He received a Bachelor of Social Science(economics and politics) degree from the University of Cape Town with honours in Economics. Stephen is a self-taught artist and has been practising since 1998. He currently lives and works in Barrydale.

Allwright began painting in earnest after leaving Cape Town to spend two years in near complete isolation in Die Hel, a remote village in the Swartberg Mountains near his birthplace, Prince Albert. Since then he has been prolific, exhibiting most recently at the Tyburn Gallery in London and at SMITH in Cape Town.

In 2017, SMITH had the distinct pleasure of exhibiting over 60 works by the exceptional fine artist.
Now living and working in Barrydale with his wife and young son, Allwright has refined an uncompromisingly honest and unmistakable style that is at times erotic and even violent but more often heart-wrenchingly tender. The work is a form of self-portraiture, although inverted: with the unfolding image as his guide, Allwright attempts to distill and decipher his impulsive responses to the manifest world by creating what he calls “an emblematic shorthand”.

“I usually meditate on a particular idea that has interested me while I walk with my dogs. The sound of my footfalls, my breathing and the dogs’ panting creates a rhythm that I try to include in a work. The degree to which I can achieve ‘accuracy’ through this process - including the context in which the process is played out - is reflected in the ability of said work to become a satisfactory repository, and thus a trigger, of a particular state of mind.”

For subject material, Allwright looks no further than his immediate vicinity. There is his own body, that of his wife, his dogs and the odd acquaintance who might cross his path. These figures are contorted, combined, mutated and gently abstracted to either harmonious or jarring effect. “I inevitably insinuate myself into this process and become integrated within the emerging forms.”

Allwright works principally in ink, most often black on paper or Fabriano. There are other media frequently in Allwright’s studio - watercolour, pencil and tea among them - but his absorption with ink is profound and prodigious. “It feels quite close to the familiar physical act of writing. Also, I find the smell and the ritual in preparing to use it comforting.”

Seeking a more fluid means of working, Allwright customises the nibs of his pens to hold and deliver more ink than they are intended to, which permits him to achieve lengthier lines in one movement. He often holds his breath while completing a line.

“Ink forces me to commit to a particular drawing. A single sweep of the pen encompasses a distinct passage from one point to another. I have been using pen and ink predominately of late because the practice of making pictures in this medium has filtered into the way I allow a thought or emotion to emerge in my mind.”

Solo Exhibitions
2018
Fluid, SMITH, Cape Town

2017
Inclusions’, SMITH, Cape Town

2015
Broken English’, Tyburn Gallery, London.

Art Fairs
2017
FNB Joburg Art Fair, SMITH, Johannesburg

2015
That Art Fair, Cape Town

2013
Cape Town Art Fair, Cape Town.

Group Shows
2017
Salad, SMITH, Cape Town
Out of Nowhere, SMITH, Cape Town

2015
Joint show with Willhelm Saayman, Luvey ‘n Rose, Cape Town